Browse more videos. Beqasoor (1980) Starring: Vikas Anand … Advocate Talwar Vijay Arora … Ravi Master Bhagwan … Elevator Operator Brahm Bhardwaj … Judge (as Bhram Bharadwaj) Madhu Chanda … Varsha J. Sinha (as Madhuchanda) Chandrashekhar … Police Commissioner (as Chandra Shekhar) Suresh Chatwal … Shetty Rafi also received the National Award for the song “Babul Ki Duaen Leti Ja” from the film Neel Kamal (1968). “To die by your side/ Well, the pleasure, the privilege is mine” bears the hallmarks of classic Moz – overdoing it a bit, laying on the language – but there’s an unmistakable poignancy here. Follow. The Clash didn’t always need anger to pen a canny political song. Words: Ben Hewitt, Matthew Horton, Priya Elan. The signs had been there in the clattering jam that ended ‘I Am The Resurrection’, but this was still a seismic shift for the Roses. Laxmi Chhaya ‘Love Action’ boasts at least three warring synth riffs – from Ian Burden, Philip Adrian Wright and Jo Callis feeding his guitar through a Roland 700 – each of which could fuel a Top 3 hit by itself. It wasn’t just a key song in the C86 tape movement, it was a key moment in Primal Scream’s career. In fairness, it’s not hard to understand their gripe – as soulful as Caron Wheeler’s vocal was, it’s the steely, condensed-breath production of Jazzie B and Nellee Hooper that’s its real calling-card. The Smiths’ second single succeeded where ‘Hand In Glove’ had failed, piercing the Top 30 and getting a bunch of gladioli on Top Of The Pops. ‘Buffalo Stance’ came along at a time when dance, hip-hop and pop were creating thrilling hybrids (see also ‘Salt N Pepa’s ‘Push It’ and Tone Loc’s ‘Funky Cold Medina’). Beqasoor (1980) cast and crew credits, including actors, actresses, directors, writers and more. Nowadays, the video looks at best naff and at worst a bit pervy, as Simon Le Bon and co hop aboard a speedboat and whip out their binoculars to ogle some bikini-clad beauties. Beqasoor. He’s talking gibberish, surely: the slow-burn beginning is fantastic, true, but the whole ruddy song – with its balmy organ waltz and irrepressible feel-good factor – is the sound of Talking Heads at their most wonderfully accessible. So someone can plz. After Jagmohan conducts a successful experiment, which will benefit India, there is an accident and Sunil loses his vision. As hip-hop and techno set the cultural pace at the close of the 80s there weren’t too many thrills going on in rock, a wasteland of post-MTV excess. In which The Dame reaffirmed his chameleonic superpowers and turned into a New Romantic just in time to make it look as if he was inventing New Romanticism (which of course he did, years earlier), even co-opting scenester Steve Strange to appear in the video. Ah, the 80s - whatever you thought of the fashion, 80s music was absolutely splendid? The genius of Graham Massey and his Manchester raveheads was to take the standard building blocks of techno and house, before twisting and molding them into something else entirely. By Rebecca Schiller. https://www.youtube.com/watch?v=2ChjLMbXVrU. Sorry. En 1980, 16 fueron las canciones que alcanzaron la máxima posición en 52 semanas, excluyendo a "Escape (The Piña Colada Song)" de Rupert Holmes, (porque se posicionó el año pasado), entre ellas las canciones "Call Me" de Blondie y "Lady" de Kenny Rogers, que estuvieron 6 semanas en el número uno y fueron los sencillos con más semanas en este año. JAMC’s second album ‘Darklands’ proved they’d tidied up since the thrilling mess of ‘Psychocandy’. A worthy first UK Number One for Messr Weller, ‘Going Underground’ will forever be one of The Jam’s finest cuts. The Bunnymen’s lasting classic has a Hollywood ending – an appearance in 2001’s Donnie Darko that introduced them to a legion of new fans. Chet Baker’s mournful trumpet solo – thought to be his last recorded performance – also added gravitas to the track. 3. Whatever you thought of the fashion, the 80s fuelled some absolute bangers. In 1980, 20 songs topped the chart, based on playlists submitted by radio stations. On his second solo single after becoming an ex-Smith, Morrissey’s still happily at home with the dour, world-weary stuff but this time he’s calling for seaside Armageddon to a gorgeous, classic melody. Away from the titanic egos, though, John Deacon proffered one of pop music’s most iconic basslines (though there’s some controversy over whether he wrote it, or Bowie did). Brahm Bhardwaj Harisinghaney “Here I go!” she shouts, unable to control herself, and you’re whipped up with lust alongside her. 100 Best Songs Of The 1980s. , directed by B.P. Dead Kennedys’ ode to liquor-induced floppiness may be crude, lewd and gloriously dumb, but it’s not just puerile gags about brewer’s droop. The song that John Peel played after announcing Ian Curtis’s death is unbearably close and brooding, but allows the occasional shaft of light. They create the fluid slink here that allows Jones to prowl around, generally intimidating everyone with dirty car-pun come-ons. Rafi’s first song with Madan Mohan was in Ankhen (1950). 3:51. Depending on what mood Dave Lee Roth was in, the charismatic vocalist used to tell journalists that ‘Jump’ was either about a man standing on a ledge about to… or a stripper. It didn’t harm the song’s prospects that it was a belting pop tune, a welcome return to form after the sub-par tosh of her Who’s That Girl soundtrack efforts. Artist Lata Mangeshkar. More than a pop song, this was a brilliant piece of art-as-social-comment. Mannequin by Albert Hammond Jr ’ s biggest behemoths joined forces as and... 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